Both Betsy’s and Jérôme’s portraits not only remained unfinished, they were also never delivered to the Bonapartes. An explanation for this situation is offered by Jane Stuart in Mason p 144 [see ‘sources often used’]; “Jerome Bonaparte, the husband of Madame Bonaparte, was anxious to have her portrait completed, it having been in an unfinished state for some time, but as sitters were crowding in upon my father, this request could not be immediately complied with. Bonaparte deemed it an insult to be so neglected, and when the two came together—Bonaparte and Stuart—the painter thought that the remarks addressed to him were impertinent; the result was Bonaparte could not get possession of his own or his wifes’s portrait on any terms. He sent his friends to offer any price, but these offers made no impression on Stuart.”
and Mason quotes Dunlap; “Stuart’s manner was such as to make his sitters feel that he was not to be trifled with. Many a fne head was taken from his easel, and obliterated, or sent to the garret, for no other reason than that the sitter had broken his engagement, or had in some other way annoyed him.” p. 41
Later American painter Thomas Sully accidentally stepped on the painting of Bonaparte, and recalled that Stuart said, “You needn’t mind. It’s only a ...*#$%^*.. French barber.”
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2 comments:
This gets better and better, you're definitely writing a book here!
I'm liking Stuart better and better. Not taking it from the Bonaparte's!
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