THE WORLD OF SAMUEL MEEKER, MERCHANT OF PHILADELPHIA, AND GILBERT STUART, AMERICAN PORTRAIT ARTIST

Saturday, February 26, 2011

Samuel Denman (business partner of Samuel Meeker) & wife Anna Maria; and their terrible tragedy

Anna Maria [Hampton] Denman in detail


In the last entry, an advertisement for Meeker's firm “Meeker, Denman, & Co.” in the Philadelphia Gazette, October 23, 1797 was shown. Samuel Denman was Samuel Meeker’s brother-in-law. Samuel Meeker married Jane Hampton on March 3, 1792 in St. John’s Church Elizabethtown, N.J.



Recorded: 1792 Mar. 3 - Samuel Meeker, of Philadelphia, Merch't., to Jane daughter of Jonathan Hampton, Esq. of Elizabeth Town. Jane had a younger sister Anna Maria Hampton. Anna Maria married Samuel Denman (1774-1816) on December 10, 1801 by Rev. Henry Kollock, pastor of the First Presbyterian church at Elizabethtown.



Perhaps due to the divorce of Samuel’s twin sister Phebe from Alexander Cochran, Samuel’s first business partner, now Meeker dropped Cochran and joined forces with his brother-in-law Samuel Denman. So far as I know Anna Maria and Samuel Denman had two sons: tragically both died at a young age. Young Jonathan Hampton Denman died July 23 1804, age 4 months and three days, “at the Seat of Samuel Meeker Esq.” (Fountain Green.) Young William Denman passed away at age 4 years and 9 months, also at Fountain Green. This couple knew terrible tragedy, and father Samuel Denman also passed away at the young age of 42.



An eulogy to William Denman, age 4 1/2.


The vernal hope of lengthened life is crop'd

The opening blossom in the grave is dropt

Yet weep not, Parents, for his mouldering clay,

But rest your comfort on the judgment day.

For happy innocence, that knows no crime

Shall bloom eternal in the heavenly clime.



In an amazing bit of sleuthing, I found that images existed of the Denmans, preserved in miniature. You can imagine how thrilled I was, to discover images of Meeker's relatives, and to learn some of their story.



American Portrait miniatures


courtesy of The Metropolitan Museum of Art


Watercolors on ivory in gilded copper case;

hair reserve 2 3/4" x 2 3/8"

artist: Edward Greene Malbone


Samuel and Anna Maria [Hampton] Denman, ca. 1801














The book "American Portrait Miniatures" is now available; by Carrie Rebora Barratt and Lori Zabar. The volume is the first complete catalogue of the Metropolitan Museum of Art's collection of American portrait miniatures, "tiny, vivid miracles of the painter's art."




The Museum's holdings are the world's most comprehensive.

In a twist of family ancestry, my gt gt grandfather Ben Cory's grandmother was Susanna [Denman] Cory (1773-1851). Thus I have Denman blood, but not by Samuel, for remember, he gifted the portrait to his twin sister.

Tuesday, February 8, 2011

An advertisement for Meeker's firm in the Philadelphia Gazette, October 23, 1797: Meeker, Denman, & Co.

click on image for a larger view

Meeker, Denman, & Co
No. 22 South Front Street

Have received by the *** from Grenock, to N.
York, Cumberland, from Hull, Clothier and Sey-
mour from Liverpool, and William Penn from
London.
A GENERAL ASSORTMENT OF
Dry Goods and Hard Ware,
Which they now offer for sale on moderate terms,
for cash or the usual credit, viz.

Fine and Coarse broad-cloths
Plain and xxx cloths
Plain and printed cashmere

...
Colour’d and black silk handkerchiefs
Silk and cotton bandanas
An elegant assortment of callicoes
Furniture
Silk, cotton


In 1797 Meeker was 34. It appears that by this time he had already been in Philadelphia, having left the Meeker family homestead in the Westfields NJ, for at least 10 years —(in 1787 he was listed as a private in the 'First Company, Second City Battalion, Colonel James Read' in Philadelphia.) Five years before (1792) Samuel’s twin sister Phebe (my direct ancestor!) had married Alexander Cochran in a prominent wedding in the “Second Presbyterian Church of Philadelphia”, and Meeker’s first business partner was his brother-in-law Cochran; the firm was known as Meeker Cochran & Co. Within five years the partnership was dissolved (and Phebe had divorced.) By 1797 Meeker was busily engaged in commerce with his next firm Meeker, Denman, & Co. Samuel Denman was also Samuel’s brother-in-law, through his wife. Jane [Hampton] Meeker was the sister of Anna Marie [Hampton] Denman. I have found the images of the Denmans, Samuel and Anna Marie, in miniatures at the Smithsonian, stay tuned! but today I will just show an advertisement in the Philadelphia Gazette & Universal Daily. [A friend found this, while researching one of his own ancestors!] The third partner in the firm seems to have been William Parsons Meeker, also painted by Stuart. This young fellow died a premature death in 1812. As he was their agent in England and was lost at sea, perhaps he was returning home over the seas and perished due in some way to the War of 1812. He was the first cousin of Samuel, their fathers were brothers.
Who better to trust, than family members!

William Parson Meeker by Gilbert Stuart, he was lost at sea in 1812
first cousin of Samuel Meeker and business partner

Friday, January 21, 2011

one of his 'finest portraits of men' & "...we cannot but regret that Stuart did not sometimes ... leave us American landscapes"



Two posts back I described a noted Philadelphian socialite considered a beauty in her time (Mrs. Samuel Blodget); today I introduce her father Dr. William Smith. Lawrence Park says of the Stuart portrait of Dr. Smith, “This is one of the finest portraits of men Stuart painted in this country.” Very fine praise by Park! I also think his description of the painting is interesting so I include it here.

From Lawrence Park:


Doctor William Smith 1727-1803


William Smith was born near Aberdeen, Scotland, and graduated from the University of Aberdeen in 1747. He came to America in 1751 as a tutor in the family of Governor Martin on Long Island. In 1753 he was invited to take charge of the newly founded College and Academy of Pennsylvania in Philadelphia. He first went to England to take clerical orders and after his return was inducted into the office of provost, May, 1754. In 1758 he married Rebecca Moore (1733-1784), daughter of William Moore of Moore Hall, Chester County, Pennsylvania. He revisited England in 1759 and returned the same year vested with the degree of D.D. from the universities of Oxford and Aberdeen and Trinity College, Dublin. The extraordinary activity of Doctor Smith made the college a prominent institution in all the colonies. He was a most active worker in the church and in the field of science, literature and education, taking also part in the discussion of political and social questions. In 1779 he moved to Chestertown, Maryland, became rector of a parish, and in 1782 aided in founding Washington College there, of which he was chosen president. When the charter of the College of Philadelphia (made void in 1779) was restored in 1789 and during the succeeding two years, Dr. Smith was its provost.
~
Philadelphia, 1800. Canvas 37 x 60 inches. This is one of the finest portraits of men Stuart painted in this country. It is a large half-length, nearly twice as wide as it is high. Dr. William Smith is shown seated in a high-backed arm-chair, turned half-way to the left, with his eyes directed to the spectator. His gray hair is thin on top of his head and rather long and wavy over his ears and in back. He wears the gown of a doctor of divinity of Oxford: black, with scarlet hood and a sheer white cambric bib. His left hand rests on the arm of the chair, while his right, which holds a quill pen, rests on some sheets of paper that are lying on the large mahogany writing desk in front of him. There are also four leather-bound books, an inkwell and another quill pen. At the extreme left of the desk stands a theodolite. (This, evidently, in commemoration of Dr. Smith’s association with David Rittenhouse in the memorable observation of the transit of Venus, on June 3, 1769, at Norristown, Pennsylvania.) In the background is a large reddish-brown curtain, looped up in the left half of the picture and giving a glimpse of a most charmingly painted landscape in silvery tones, a scene at the Falls of Schuylkill, where Dr. Smith had a house. Seeing this, writes Charles Henry Hart in the Century Magazine of October, 1908, “we cannot but regret that Stuart did not sometimes turn from his portrait work to the free delineation of open-air nature, and leave us American landscapes full of atmosphere and feeling that we see he knew how to do so well, and in which he would have been no mean rival to his famous English compeers, Wilson and Gainsborough.”



Dr. William Smith by Gilbert Stuart Philadelphia,1800

~

Mrs. Samuel Blodget (daughter of Dr. Smith)
Philadelphia c.1798 by Gilbert Stuart
collection Pennsylvania Academy of Fine Arts

Sunday, January 9, 2011

Praise from a Philadelphian! (& sources for research) & ...I am registering Samuel Meeker with the Smithsonian!



Samuel Meeker, the portrait, was most likely not discovered by Lawrence Park when he was assembling the works of Stuart, as the portrait was taken before his time to California by my late ancestors (the marriage of Carrie Martin of Rahway NJ to Lewis Cory of Fresno, Ca, see provenance). Somehow it seems Samuel belongs in Philadelphia, but, here in California he is, and here he will stay! At least I am bringing his story to light, he would be proud and happy about that! My ancestors who brought him here would be happy with my research, for they thought he was “Major Samuel Meeker” painted by Peale. To have the accurate story is a worthy aim is it not? I have been doing these postings for two years now, with various input from different people. But this particular letter sent to me by email just a few days ago...I appreciate so much! A real Philadelphian, praising my work! Thank you.


And today was special. I am sending in the forms on this portrait to the Smithsonian so that they may register Meeker in their INVENTORY OF AMERICAN PAINTINGS.
The letter now follows:

Hello!

Are you the author of the blog -- GilbertStuart.blogspot.com? I sure hope so. It's a fabulous and an amazing narrative of Philadelphia history!
I applaud your discipline and focus and strategy for exploring your family's heritage.
Who am I? I am a Philadelphian and am well-connected with many cultural heritage organizations and research centers. Indeed, I am forwarding your blog link to them, and encourage you to connect with them as well, as they have the resources and original documentation to serve your endeavor.
Many of these organizations are quickly digitizing their collections, so it might be easier to do more on-line research oforiginal material.
The next time you visit Philadelphia, try to visit these places. They are most helpful and receptive to serious scholars. Many of these research centers are FREE. The Historical Society of PA is the only one, I believe, that charges research fees. Best wishes for the New Year!


Anita Mc K.


1) John Van Horn, Director, The Library Company
http://www.librarycompany.org/about/services.htm
2) Stephen Girard/Girard College and Estate
No doubt your ancestor had many interactions with Girard. Girard College has all of Stephen Girard's records (all of them -- in the thousands) on microfilm at Founders Hall at the College, including correspondence, diaries, bank statements, business records, etc
http://www.ushistory.org/people/girard.htm
See "museum collections" and "archival collections" at this link below:
http://www.girardcollege.com/4398_9771410572/blank/browse.asp?A=383&BMDRN=2000&BCOB=0&C=50725
3) The McNeil Center at University of PA might connect you with academic scholars who have information about your ancestors. http://www.mceas.org/intro.htm
4) Independence Seaport Museum "archives and library" http://www.phillyseaport.org/Museum_Library.shtml
5) Philadelphia Athenaeum. This museum may have information about your ancestor's homes in Philadelphia. BTW its current exhibit "William Birch: Picturing The American Scene" runs through Jan 11, 2011.
6) The Philadelphia Historic Commission may have materials and photos of the Meeker home in today's Fairmount Park. http://www.phila.gov/historical/contact.html
7) For historic photos check: http://www.brynmawr.edu/iconog/frdr.html
The Philadelphia Free Library Photo collection ... some of the oldest photos of Phila landmarks, homes, businesses, that your ancestor would have known.
http://libwww.freelibrary.org/hip/HIPSearchItem.cfm?searchKey=8153119119&ItemID=pdcc00030
http://libwww.library.phila.gov/hip/HIPLst.cfm?collection=pdcl
http://jeffline.jefferson.edu/archives/phdil/phdil.html
Phillyhistory.org Thousands of photographs of Philadelphia dating from the late 1800s onwards from the city archives and the Athenaeum of Philadelphia. http://www.phillyhistory.org/PhotoArchive/Search.aspx


Thursday, December 30, 2010

A notable Philadelphian socialite Mrs. Samuel Blodget, distinguished by sprightliness and wit, is painted by Stuart

Being interested in the time period of Samuel Meeker, I bought a book which was ‘discarded’ from the “Abraham Lincoln Junior High School Library” in Lancaster Pennsylvania. I must have found it online. The book is entitled “Social Life in the Early Republic” (Anne Hollingsworth Wharton, first published 1902) and I suppose I understand why it was eventually discarded, not offering exactly an intensive in-depth analysis of those times, but offering simple anecdotes of various noted families, their connections, and descriptions of dignified and charming individuals. Who married whom, who was renown and why, and inbetween interesting and worthy stories for example on the choice of the site of the new capital after it moved from Philadelphia, the architect and who owned the land etc. Lots of names. So, in the course of reading this book, on the topic of ‘homes and hostelries’, my interest was piqued with the following paragraph (and one can glean an idea of the writing style of the author): “Blodget’s Hotel occupied the site of a portion of the Post-office Department. A house on Sixteenth Street, near what is now Scott Circle, was marked as that of Samuel Blodget in the early plans of Washington; but there is no record of the Blodget family having lived in the new city. Mrs. Blodget, daughter of the Rev. William Smith, first provost of the University of Pennsylvania, was a noted beauty, which reputation her portrait of Gilbert Stuart fully establishes. An independent, original woman Mrs. Blodget seems to have been, not hesitating to express her opinions freely about people and places, and very much amusing a recent acquaintance by announcing that her children “all resembled Mr. Blodget, having small eyes and a comical look.” One of her daughters she classified as “a beauty, but a vixen,” while another, she said, was “not pretty, but a sweet creature.”
I determined to find an image of this exotic bird!


from Lawrence Park
Mrs. Samuel Blodget 1772-1837
Rebecca, daughter of the Reverend William and Rebecca (Moore) Smith of Philadelphia. It is said that she was one of the most admired beauties that ever adorned the drawing room of Philadelphia and as much distinguished by sprightliness and wit as by personal comeliness. In 1792 she married Samuel Blodget, Jr (1755-1814) of Woburn, Ma, Washington, District of Columbia, and afterwards Philadelphia, Pa.

~

Stuart also painted Rebecca's father the Reverend William Smith, whom he knew well. The stately gentleman has a big nose, similar to his daughter's. Perhaps I will show him next! Stuart "lived in a house owned by Smith's son William Moore Smith in Philadelphia, where at least one sitting with George Washington took place..." (Gilbert Stuart by Barratt and Miles p 227) Rebecca's portrait is unfinished, one has to wonder why in this case.
Husband Samuel Blodget Jr was an architect and assisted Stuart in the design of the backgrounds of his Landsdowne portrait of Washington and that of his father-in-law.


~
Mrs. Samuel Blodget
Philadelphia c.1798 by Gilbert Stuart
collection Pennsylvania Academy of Fine Arts

Tuesday, December 14, 2010

Robert Morris writes a check, Philadelphia 1785.

Click on the image for a bigger and better view!

See the entry previous to this for more on Robert Morris (1734-1806), American Rebel & Financier who played a major role in arranging the funding of the American Revolution, and setting up our fledgling financial system! Meeker was also involved in banking, getting together with other rich young men to start up and fight for the charter of
The Philadelphia National Bank
~
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[Similarly to Gilbert Stuart, Morris spent time in debtors prison. Fortune smiled on Samuel Meeker and he did not go to debtors prison, however, he was excluded from the board of the bank in 1807 for exceeding limits of his loans too often.]
~
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Image courtesy of Albert and Ethel Herzstein Library, San Jacinto Museum of History (Houston) and sent to me by a descendent of Mr. Wister, friend and aficionado of this time period, D. McCann
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Sunday, December 5, 2010

The mercantile world of Samuel Meeker comes alive in a new biography of Robert Morris; & his portrait by Gilbert Stuart

Robert Morris 1734-1806

There is a new biography out on the American rebel/financier; Robert Morris: Financier of the American Revolution by Charles Rappleye. The following excerpts are from “This Rebel Came Armed with a Balance Sheet”, article from the Wall St Journal Nov 27-28 2010 by John Steele Gordon.

When most people think about the American Revolution, they think about the remarkable ideals that lay behind it and that guide the country still, or they think of the war itself, with Gen. Washington’s men freezing and half-starved at Valley Forge.
What doesn’t come to mind very often is how the Revolution was paid for. “Wars are fought with silver bullets,” according to a Chinese saying, meaning that the side with the most money usually wins. But in the case of the revolution, Great Britain--the richest country in Europe and the possessor of the most advanced financial system--lost despite its silver bullets. And it lost to a ragtag bunch of former colonies that didn’t have a regular money supply, let alone a financial system. Nor did the rebels have the capacity to manufacture arms or gunpowder in any quantity.
Morris, who was a signer of both the Declaration of Independence and the Constitution, never fought in battle. But it’s doubtful that the US could have won its independence without him. Born in Liverpool, England, he was the son of a man employed as a tobacco factor handling the British side of the vast trade with the Chesapeake colonies. Morris’s father left for America when Robert was still a toddler. At age 13, the boy followed his father to this country and was soon sent to Philadelphia to study.
Mr. Rappleye has a gift for explaining the complicated financial and mercantile world of the late 18th century, the milieu in which Robert Morris grew up, thrived and, eventually, went broke.
...a great story, told with narrative skill and scholarly authority....
~
I think, in order to better understand the mercantile world that Meeker thrived in, this book is a must for me! I will post relevant followups.
~
ROBERT MORRIS by Gilbert Stuart Philadelphia, 1795
from Lawrence Park: Robert Morris 1734-1806

A son of Robert Morris, a merchant of Liverpool, England, who immigrated to Maryland in 1747. The son, Robert, married in 1769 Mary White. He was a delegate to the Continental Congress from 1776-1778; prime mover in establishing the Pennsylvania Bank in 1780; founder of the Bank of North America in 1781; United States Senator from Pennsylvania from 1789 to 1795; and was imprisoned for debt from 1798 to 1801. He was known as the great financier of the Revolution.
~

Thursday, November 18, 2010

Thomas Jefferson, Goethe, & Weltschmerz


Thomas Jefferson by Gilbert Stuart



At the moment I am reading "Thomas Jefferson", a bio of Jefferson by Fawn Brodie. I don't have to remind you that Jefferson became President of the United States in 1801. Now, one of the main reasons I, as opposed to other family members, was interested in the Samuel Meeker portrait was because he was a peer of Goethe. As was Jefferson.

Here is a tale of a lovesick Jefferson taken from Brodie's biography: "In April [1764] he barely missed seeing the new Mrs. Ambler [a passion of Jefferson, she married another fellow] at a party at the home of Frances Burwell..., to which he had been invited. "What I high figure I should have cut had I gone!" he wrote to Page. "When I heard who visited you there I thought I had met with the narrowest escape in the world. I wonder how I should have behaved? I am sure I should have been at a great loss." The deprivation for Jefferson in losing Rebecca Burwell was more anguishing than has been acknowledged by some of his biographers. Malone holds that 'Jefferson carried on this rather absurd affair mostly in his imagination.' Nathan Schachner believes 'his passion could not have been too unmanageable, for he made no move to journey down to see her,' and labels his melancholy 'sentimental Weltschmerz.' "

Sentimental Weltschmerz can be roughly translated into an emotional 'ennuie and sadness with the world'~ This feeling and expression of emotion, by men, was increasingly common in the mid 1700s to the early 1800s, culminating in the novel "Die Leiden des jungen Werther" (The Sorrows of Young Werther) by Johann Wolfgang Goethe in 1775, when he was 25. In this fiction told in letter-form, Goethe capitalized on the fad of men expressing suffering, emotion, ennuie [this was the time of Sturm und Drang]~ and with the publication of this story of male suffering, Goethe enjoyed huge success as his book became the main topic of the salons, and he became a worldwide celebrity.




"Die Leiden des jungen Werther" gelten den meisten nur als gefühlvoller Liebesroman, und das Werk ist in der Tat einer der schoensten and leidenschaftlichsten Liebesromane der Weltliteratur.



Jefferson was devastated at the death of his wife Martha, he never married again, but his long term relationship with Sally Hemmings raised eyebrows, for she was a slave. Goethe would have approved, or lets say, he would not have disapproved. He knew very well what it was like to transgress social norms.

~

Tuesday, November 9, 2010

When I saw this statue in the garden of the villa Mount Pleasant on the Schuylkill, I wondered if it was once in...the villa garden of Fountain Green!

Below is the William Birch illustration of the country seat of Samuel Meeker on the Schuylkill River Philadelphia (courtesy of the River Print Department & Digital Collections Library Company of Philadelphia), the famed estate called Fountain Green. The estate, oringially comprising over 300 acres when first deeded to the Mifflin family by British royalty, was by now only about 25 acres but still maintaining substantial financial worth, considering its proximity to the river, and amid sizable increases in the price of real estate post revolution. (The canal was new and was not finished at the time. I have yet to understand the reason why this canal was built in the first place, and then taken away.) Just below the full depiction of Fountain Green is, in detail, the statue adorning the garden grounds. Look at it closely. Does it not look eerily similar to the statue I photographed in the garden of the neighboring villa Mount Pleasant, this summer? Here is my theory. When the villa Fountain Green burned, sometime in the 1870s, the owners of neighboring Mount Pleasant either bought at auction, or salvaged, the statue and put it in their garden. Is it an original piece from Samuel Meeker's days? I think it would be very difficult to find out... I will try! But, I think it is.








statue presently in the front garden of Mount Pleasant...






Thursday, October 21, 2010

On the south side of Fountain Green was The Cliffs, an unbelievably sad story of a once stately country villa!

l
~
“Fountain Green, the seat next beyond the Cliffs, originally belonged to Samuel Mifflin.... The grounds ran over to what was called Mifflin’s Lane. Mr. Mifflin died in 1781, and Samuel Meeker became the owner” (... from History of Philadelphia, 1609-1884 by T Scharf, T Westcott pub L.H. Everts & Co. Philadelphia 1884). ...this was the first ever info I found that my guy, Samuel Meeker merchant of Philadelphia and my ancestor, owned a country estate near Philadelphia. Wowsie! According to this (amazing) description, for a long time I thought Fountain Green was located high on some cliffs overlooking the Schuylkill River (I thought these cliffs provided the caves for Engel & Wolf lager beer brewery, all very logical!). Later I was astounded, and totally exhilarated, to find Samuel’s house Fountain Green illustrated by William Birch! But one thing, it seemed so close, level to the water, and not on some cliffs. Most likely an artist’s twist on the reality.... hmmmm. A few years later, and I discovered that the Cliffs was actually a house!

In the last entry I established that on the north side of Fountain Green was the neighboring estate called Mount Pleasant built by sea captain John Macpherson in 1763. On the other side of where Fountain Green used to be, is the house called the Cliffs. The Cliffs was built in 1753 by Philadelphia merchant Joshua Fisher, a Quaker (1707-1783). Like Mount Pleasant and Fountain Green, the estate surrounding the house included a farm, although in general, life in this region was not an agrarian economy. Many farmed and sold their crops, but capital stemmed mainly from trade, shipping, law, banking and real estate (Meeker excelled at a number of these!)

Joshua Fisher was the grandson of John Fisher who came to America on board the "Welcome" with William Penn. He married Sarah Rowland, and as a young man started a hat-making business using the locally plentiful animal skins (click here for the portrait of Mr. Sturgis who became rich from the hat (& opium!) business). The trade in animal pelts flourished and eventually Joshua started a business with his sons called "Joshua Fisher & Sons". Customers were able to order items from a catalogue such as porcelain, silverware, brass pulls for dressers, and every other imaginable type of merchandise. The business prospered because customers could receive reasonably priced goods within weeks. Joshua became wealthy, and started the first packet line of ships to sail regularly between Philadelphia andLondon.
Moving his family to downtown Philadelphia in 1746, Joshua built the Cliffs as a country getaway for the summers (for fun and to get away from the fever epidemics which would sweep through the city). It signaled his socioeconomic “arrival” and showcased his newfound wealth.
The house remained in the Fisher family for more than 100 years until the Fairmount Park Commission purchased it (and all the other villas in the confines of the ‘new’ park, an early example of eminent domain?) in 1868. The house was rented and maintained until the 1960s when it became vacant. The house had a substantial amount of woodwork and paneling. It was taken over and repaired in the 1960s by the Shackamaxon Society, a local civic group.
Incredibly, the Cliffs was vandalized in the 1970s & 80s, possibly due to publicity that the Fairmount Park Commission allowed city officials to live in the park's 45 historic houses rent-free. As a result of the news stories, the Park Commission decided to charge rent, but renters could not be found for some of the houses. Those that were occupied were thereby protected and maintained. The Cliffs was unoccupied from 1970, and due to a lack of funds, neither the Park Commission nor the Shackamaxon Society could maintain it.
The Cliffs burned on February 22, 1986, due to vandalism and arson. Firefighters were unable to extinguish the fire because their heavy trucks sank in the clay earth surrounding the house. The clay had been trucked into the site in order to cover an area near the house used as a dump for refuse from various municipal construction projects. (info courtesy of wiki, as is the photo of the ruin)
What a terribly sad fate! Fountain Green burned too, to the ground.

Satellite image of The Cliffs by googleearth, this is how it is today!



I knew I only had 3 days in Philadelphia, to explore and to research, but one of the things I really wanted to do was find this burnt out shell, so close to Fountain Green, which would have meant slashing my way through brush and bramble! In the satellite image, the road is below the railroad tracks, and the tracks are set up high. With limited time and no one to join me in such an excursion, I did the less adventurous route, and took an appropriate tour of Mount Pleasant. In the next entry, I will show the satellite view of all three properties.


Wednesday, October 13, 2010

Mount Pleasant, the neighboring country estate to Fountain Green, on the Schuylkill River


Mount Pleasant, splendid villa about a 10 min walk from where Fountain Green used to be.

ddd

In August I visited Philadelphia and was able to further my sleuthing of Meeker, and in particular I found out more about his country estate Fountain Green on the Schuylkill River, which he was able to purchase from the Mifflin family through a bank auction in 1799. There seems to be some confusion about the location of Fountain Green because with time, Governor Mifflin is alleged to have live there (more on this topic later.) The location of Fountain Green is now pinned down. If one looks at the map of Fairmount Park along the banks of the Schuylkill River, running through the center of Philly, Fountain Green was between Mount Pleasant (pictured above) and a country home called the Cliffs, both of which still exist; however the Cliffs is in ruins and can not be seen. But at least I was able to visit Mount Pleasant, just slightly past where Fountain Green was once located, and up a small hill. The road running up this hill leading to Mount Pleasant is now called Fountain Green Drive.

The home was closed, but was graciously opened up for me and my friend Susan (see Susan's blog on Philly beauty Rebecca Gratz). In 1761 this land was aquired by a sea captain named Capt. John Macpherson who made a fortune in a short amount of time in the French and Indian War. When the war ended in 1763 Macpherson was ready to make an appropriate display of his wealth and social prestige, and built Mount Pleasant which was described by John Adams as “the most elegant seat in Pennsylvania.” He developed his estate with fields for sheep and cows, orchards, and a large, Scottish-style walled garden in which he grew such luxuries as asparagus, strawberries, and artichokes. Here he lived with wife and children for a while (becoming estranged from his wife, a son died in the Am Rev), renting it during periods of financial difficulty, and finally sold it in 1779. After changing hands several times, in 1791 it was sold to General Jonathan Williams (1751-1815). He was a great nephew of Benjamin Franklin, was chief of the Corps of Engineers, United States Army, and first superintendent of the United States Military Academy at West Point. He directed the fortification of New York Harbor, and was active in the defense of the Delaware in the War of 1812. In his absence, his wife Mariamne was left in charge of Mount Pleasant and the farm. The Williams family lived there until the City of Philadelphia bought the property in 1869 and it became part of Fairmount Park.





As Meeker bought Fountain Green in 1799, eight years after Mount Pleasant was bought by Gen Williams, these two families would have been neighbors. Fountain Green at this time comprised 2 parcels; a smaller part along the river, and a much larger part which neighbored the Williams estate, extending away from the river.

This statue is in the garden of Mount Pleasant. I noticed it right away.
The reason why.........stay tuned!

`

Sunday, September 26, 2010

James Madison finishes the Constitution in September 1787, an early Republican and a father of American Politics


James Madison by Gibert Stuart:
the portrait was painted for the Honorable James Bowdoin and presented by him to Bowdoin College, Brunswick, Maine
James Madison is known as the Father of the Constitution, reflecting his role in planning, writing and ratifying the nation's fundamental law. This should be his month: The Constitutional Convention, where he starred, finished the document in September 1787. And Congress sent the amendments that became the Bill of Rights—which Madison also played a major role in shaping—to the states in September 1789.
But Madison has another claim on our attention. He is the father of American politics as we know it.
Madison helped establish America's first political party, the Republicans. In 1791, as a representative from Virginia, he joined Secretary of State Thomas Jefferson on a trip through upstate NY and New England, supposedly collecting biological specimens for the American Philosophical Society but actually collecting political allies for themselves. The politician they wished to combat, Treasury Secretary Alexander Hamilton, already wielded great power through his office, and hence he was somewhat slower to organize a party; when he did, it took the name Federalists.
Madison and Jefferson built better than Hamilton: the Federalists disappeared as a national party in 1816, while the old Republicans march on today as the Democrats. (The modern GOP is an unrelated organization established in 1854.)
Madison helped found the first party newspaper, the National Gazette. He recruited the paper’s first editor, Philip Freneau, a versifier and college chum. Jefferson gave Freneau a nominal job as a translator in the State Dept and in his free time Freneau smacked Hamilton in prose. Madison’s interest in newspapers flowed from his interest in the power of public opinion. “Whatever facilitates a general intercourse of sentiments,” he wrote in a December 1791 National Gazette essay, “...a circulation of newspapers throughout the entire body of the people...is favorable to liberty.” Then “every good citizen will be...a sentinel over the rights of the people.”

Drowning in both media and poll data today, we understand the importance of regularly measuring public opinion. But in the early republic consulting public opinion was a new concept.
The Federalists had little use for it. They thought the people should rule at the polls, then let the victors do their best until the next election. Madison foresaw, and applauded, our world of 24/7 news, comment and pulse-taking before it existed.
Madison belonged to an early form of the political machine, the dynasty. America had revolted against George III and the House of Hanover, but the dynastic temptation lingered on. Federalist John Adams, our second president, saw his eldest son, John Quincy Adams, become the sixth president. But the Adamses were unpopular one-termers. Between them stretched the Virginia Dynasty—two terms of Jefferson, two terms of Madison, two terms of James Monroe—24 years of government by friends and neighbors.The Adams—and the Kennedys, Bushes and Clintons in our day—had dynasties of blood and marriage. Jefferson, Madison and Monroe made a dynasty of ideological brotherhood.

Not that Madison ignored the political importance of marriage. After an unhappy courtship in his early 30s, he left romance alone until he was 43, when he married a pretty widow, Dolley Payne Todd (click here for more). When Madison took office as Secretary of State (1801) and as president in 1809, Dolley Madison became more than a hostess. She was a political wife, America’s first: half a campaign tag-team, and often the better half. Gregarious and outgoing, she completed her husband’s personality, which was shy and stiff except with intimates.
Martha Washington, the first First Lady, was beloved but domestic; Abigail Adams, the second, was political but abrasive. Thomas Jefferson, the third president, was a widower. As one US senator put it, only Madison had “a wife to aid in his pretensions.”
Madison succeeded as a politial innovator because he was good at politics. He did what came naturally to him: agenda-setting, committee work, parliamentary maneuvering. He grew up in a family as large as an oyster bed—six siblings who survived childhood, numerous nieces, nephews and cousins—good training for a future legislator.
He worked at what didn’t come naturally; public speaking and campaigning. His voice was weak; time and again, note takers at debates he participated in left blanks in his remarks or simply gave up, becuase Mr. Madison “could not be distinctly heard.” Yet when circumstances required it, he took on the flamboyant Patrick Henry and once tangled with his friend Monroe in the open air of a snow storm so bitter he got frost bite on his nose. He won both debates.
Madison played well with others. He worked with George Washington, profiting from his charisma and judgment, and before they fell out with Hamilton, profiting from his exuberance. (Hamilton tapped Madison to contribute to the Federalists papers, which was initially Hamilton’s project; Madison wrote 29 of the 85 essays.) As President, he learned something about money and the world from his Treasury secretary, Albert Gallatin. He was a great man who was not afraid of assisting or deferring to other great men (another legacy of his tight family life.) He also worked with the less-than-great; hatchet-men, gossips, wire-pullers. They do the work of politics too. They are part of the game. James Madison helped build a republic. He was also an ambitious party activist who counted votes, stumped, spoke, scratched backs and (when necessary) stabbed them. He would not be afraid of the contrast, for his deepest thinking told him that the architects of liberty had to understand and sometimes use the ordinary political materials of ambition and self-advancement to ensure that this republic would endure.
an article by Richard Brookhiser
~~

Monday, August 9, 2010

travelling back to my roots

Thats MY ROOM!!!

On Aug 22 I will arrive in Philadelphia, for the first time in my life. So much to do, so little time! Only 3 days in the city, for really the trip is a highschool reunion taking place in Virginia Beach (my highschool, International School Bangkok, meets every two years for all those that attended the school.) So I am fitting in this little side trip. Hope to find "Fountain Green" in Fairmount Park although it is long gone, but the ruins of the "Cliffs" still remain, the "house next door". Will I have to cut my way through bush and bramble? And to think Fountain Green, the 300 acre estate owned for so many generations by the Mifflin family, was once so famous! and now gone to dust, ...and forgotton. I wonder what happened to the natural spring fountain, for which the house was named! Will be looking for documents on my ancestor, Samuel Meeker.
Well hey, yes, the room with a view is expensive! But worth it, don't you think?!!!!

Friday, July 30, 2010

The semblance slays me. Pops and Samuel.

My grandfather Benjamin Hyde Cory (1896-1983). Born in Fresno, Ca.
Here he is as a young man, most likely during his undergrad years at Princeton. He later graduated from Harvard Law and returned to California. Add about 20 years, turn his face in the same direction as Meeker.
The lips, the nose, the forehead, the sleepy lidded eyes. Bit of a wave to the hair. His great great grandmother was Phoebe Meeker, twin sister of Samuel.







Monday, July 19, 2010

July 4th, 1811: "The first regiment of the Pennsylvania Cavalry--always ready in the defence of their country's rights!"




In my everongoing sleuthing on my ancestor Samuel Meeker, I have discovered that most likely he left the family home of the Westfields NJ for residence in Philadelphia as early as 1787, when he was 24. Why? Possibly to join the army! I now know that in that year he was a private in the 'First Company, Second City Battalion, Colonel James Read.' Within 6 years he started his own business (surely with the help of family money, his father [aka Captain Samuel Meeker] could be considered wealthy as he owned a travelling chair--no easy bank lending back then!), a partnership with Alexander Cochran who was the husband of Samuel's twin sister (my gt gt gt gt grandmother) Phebe.
Phebe was married to Mr. Alexander Cochran on Feb. 26, 1792 in the prominent “Second Presbyterian Church of Philadelphia.”
Notably the marriage, as many marriages of well-to-do citizens in Philadelphia at this time, was recorded in the “Centinel.”
Who knows which came first, Phebe's divorce or the breakup of this partnership, but in September of 1797 the Meeker Cochran business was dissolved. (I am descended from Phebe's second marriage to Brookfield). A new business partnership Meeker, Denman & Co was formed and located at No. 20 South Front St, Philadelphia.


Yet during all of these busy and tumultuous years, Meeker rose through the ranks to finally become captain of the Third City Troop, or "Volunteer Greens"--part of a voluntary cavalry consisting of nearly three hundred men, and a proud remnant of the revolutionary army. By the summer of 1811, with war against the mother country looming on the horizon (War of 1812, recall that Stuart's portrait of Washington was saved from being burned by the British by Dolly Madison!), the air was electrified with a military spirit. On the 4th of July, 1811, Captain Samuel Meeker proudly proclaimed in a toast in front of the troops:

"The first regiment of the Pennsylvania Cavalry--always ready in the defence of their country's rights!"


The Second Troop Philadelphia City Cavalry W. A. Newman Dorland
The Pennsylvania Magazine of History and Biography, Vol. 54, No. 2 (1930), pp. 175-185


~

Friday, July 16, 2010

Mrs. Andrew Sigourney (the random monthly pick)

Mrs. Andrew Sigourney
Gilbert Stuart, Boston c.1820
copied from Lawrence Park volume IV


from Lawrence Park:
Mrs. Andrew Sigourney
1765-1843

She was Elizabeth, daughter of Henry Howell Williams (q.v.) of Roxbury and Noddle’s Island, Massachusetts, by his wife, Elizabeth Bell. She married in 1797 Andrew Sigourney (1766-1820) of Boston.

Boston, c. 1820. She is shown nearly half-length, seated, slightly turned to the left, with her gray-blue eyes gazing at the spectator, in an Empire armchair upholstered in a figured stuff of brownish-green tones. Upon her head, which is tipped slightly forward, is a large turban of white dotted muslin, beneath which is a mass of tight curls of dark brown hair covering her temples and the sides of her forehead. Her face is thin, with delicate features and high cheek bones, and her complexion is pink and fair. The right ear does not show, but in her left is an earring of two carnelians, one hung above the other, and both encircled with small pearls. Her black silk, long-sleeved dress is open at the throat, and edged with black silk ruffles, while the neck opening is filled in with a white starched ruffled fichu. A red shawl, fallen from her shoulders, surrounds her. The hands are not shown. The background is plain and of amber-tones.


In full color!

I was not able to find much about this self-confident looking lady. Her husband seems to have been active as a Freemason, and involved with the Boston theatre. Note that this portrait was done some 17 years after Meeker's, Stuart has simplified the background (no drapery, sky) and dropped the hands. Makes (dollars &) sense, since I don't think he liked to paint hands.


Most widely held works by Andrew Sigourney
Constitution of the Grand Lodge of the commonwealth of Massachusetts. : Adopted anno lucis by Freemasons( Book )1 edition published in 1811 in English and held by 1 library worldwide
Receipt book of Andrew Sigourney, 1803-1811
by Andrew Sigourney in English and held by 1 library worldwide Account book with hand written notices dated and signed by Andrew, Daniel or Elisha Sigourney stating that they received the rent for the lobby of the Boston Theatre. The rent by paid by Stephen North from 1803 to 1809 and by Eben Oliver from 1809 to 1811.



~

Friday, June 25, 2010

Who commissioned the Lansdown portrait of George Washington? Why, the belle of Philly, Anne Willing Bingham! & the meaning of "Landsdown"

Anne Willing Bingham 1797 by Gilbert Stuart in private collection


wearing a pendant portrait of her husband and acclaimed by Abigail Adams as "taken altogether... the finest woman I ever saw."

The Landsdown portrait of George Washington

by Gilbert Stuart


In the post-Revolutionary period, Anne Willing Bingham became the arbiter of fashion and intellectual conversation at her home in Philadelphia. “....the house [not Landsdown] along with its formal gardens ocupied most of the ground west to Fourth Street and north to Willing’s Alley. Its marble stairs among similar features gave the house the “Roman air” now in fashion. [Note; recall the Roman statues in the garden of Fountain Green, country estate of Meeker?] ‘The chairs in the drawing-room were from Seddon’s in London of the newest taste, the back in the form of a lyre, with festoons, of yellow and crimson silk. The curtains of the room a festoon of the same. The carpet, one of Moore’s most expensive patterns. The room papered in the French taste, after the style of the Vatican in Rome’ The mirrors lining the parlors reflected social gatherings rivaling in prestige those of the president’s mansion itself.” {quote from “Houses and Early Life in Philadelphia” by Grant Miles Simon}


(con.) The lady of the house, Anne Willing Bingham, had married in 1780, when she was sixteen and her husband twenty-eight. From 1783-1786 the Binghams had traveled in England and on the continent, where Anne captivated and was captivated by the courts of St. Jame’s, Versailles, and the Hague. Rich, attractive, intelligent, shrewd, witty, and elegantly dressed, Mrs. Bingham was welcomed to the fashionable salons of the European capitals and began to form the notion of presiding over a salon of her own in Philadelphia." (from “Philadelphia a 300-year history” W.W. Norton & Co. N.Y. 1982)


Landsdown country estate


Lansdown (from “Country seats of the United States” William Russell Birch) “Lies upon the bank of the Pastoral Schuylkill, a stream of peculiar beauty, deservedly the delight and boast of the shores it fertilizes. The house was built upon a handsome and correct plan by the former governor Penn. .... William Bingham and wife, Anne (nee Willing) rented Landsdown as their country house in the summers. The Binghams were among the wealthiest citizens of the new republic and central figures in the “Federalist Court” of George Washington’s tenure in office in Philadelphia. They purchased the property in 1797 at a sheriff’s sale [Note; Meeker also bought Fountain Green on the banks of the Schuylkill at auction in 1799 upon financial distress of the previous owner] after speculator James Greenleaf had to liquidate assets to meet his creditor’s demands. ......The house was largely destroyed by fire in the middle of the nineteenth century and was demolished completely before the Centennial.”

Saturday, June 19, 2010

an AHA moment. (no sunscreen, etc)

Yesterday was nothing special or out of the ordinary, as usual watching the news on a Fri. eve (love the Shields-Brooks match up on the PBS Nightly report) when my brother Paul's girlfriend gave me a call. She wanted to drop by to show me some photoportraits of herself she had done in celebration of her 50ieth. Very nice! A lady after my heart for besides being fit (yet still brought over MaryAnn's ice cream), we ended up talking about loving things of the past and soon enough were talking about Meeker who hangs on my livingroom wall. She says, "There are two different colors in the face." and I am thinking of my response which would have been something along the lines of well yes Stuart was known for his ability to achieve translucence of the skin...............when she adds "Like, he was wearing a hat!".

I had never thought of it before, as obvious a point as it is!!! Yes, so many of Stuart's male sitters have the ruddy cheeks and whitish forehead; exactly, men were outside so much of the time, on horseback when going from one place to another thereby their hat was most likely a daily necessity (and no sun screen!), the women were inside, or when outside with hats/parasols so their faces are uniformly pale (or with the delicate blush).... and Stuart depicted the exact reality as was his norm....

**

Wednesday, June 16, 2010

Mrs. TIMOTHY PICKERING (the random monthly pick)


Rebecca White, aka Mrs. Timothy Pickering, was born in England and came over to this country in 1765 at age 11. Eleven years later (1776) she married Col. Timothy Pickering~a graduate of Harvard in 1763, admitted to the bar in 1768, & joined Washington's army in 1777. This prominent gentleman was Secretary of War in 1795, and was a Massachusetts state senator from 1803-1811.

The couple had 10 children, 8 sons and the two youngest were daughters.


"THERE is no more beautiful example of Stuart's skill than this portrait of Mrs. Timothy Pickering, painted between 1816 and 1818. Mrs. Pickering is represented seated in so natural an attitude that there is no suggestion of being "posed." Her black silk gown with folds of soft muslin about the throat, her cap of the same sheer material, trimmed with lace, and the ermine-bordered mantle of a delicious shade of old rose color which has fallen from her shoulders, are all painted with a care and finish seldom bestowed by Stuart upon the accessories of his portraits, while on the finely modeled face with its delicate flesh-tones his brush has evidently lingered with loving touch."

Masters in Art; a series of illustrated monographs. Bates and Guild Co, Boston 1906. p 37


From Lawrence Park:
Boston. Begun in 1816 and finished in 1818. Half-length, seated slightly to the right, in a carved gilded Empire chair, with her brown eyes to the spectator. Her hair is completely hidden by a white lace-trimmed handkerchief worn as a turban. She wears a black silk dress with a white muslin kerchief open at the throat, showing a necklace of pearls, and fastened with a lozenge-shaped ruby pin; an old rose velvet cloak trimmed with ermine surrounds her body and lies in folds on her lap, where it is held by her right hand, on the third finger of which is a gold ring. The backgound is plain, of greenish-brown and gray tones, with a narrow pilaster showing at the right.

Thursday, May 27, 2010

Master Clarke, a special Stuart, sells at auction; how much?

Master Clarke
By Gilbert Stuart, England 1783-4,
originally in the collection of Mr. and Mrs. Ferragamo, sold on May 19 to new owners

On May 19 a very special Stuart portrait was up for auction at Sotheby's spring sale of American Paintings, Drawings & Sculpture. -- Stuart's earlier English paintings were not as swiftly and monotonely produced as they were in later years in America, when Stuart's intent was to streamline income. Those days in England ie when he was studying under Benjamin West, was the time in which he wished to impress the general public/art world/aristocracy with his extraordinary talent. So the portraits are more detailed, expansive and original; this particular portrait is of the son of Richard Hall Clarke of Bridwell, Halberton and his wife, a celebrated beauty. The young boy is posed among the trees in the park of his family home, holding a long bow and arrow, the sport of archery being de rigeur in the upper-class at the time. It is not clear whether he knows what to do with the gear.



So how much did it sell for?
$422,500


Saturday, May 15, 2010

If you need more money, get together with cronies and create a bank.

























Finance, Then and Now
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by Elizabeth Ahrens-Kley
The recent economic rescue plans undertaken by the U.S. government to stave off fiscal calamity, including a $787 billion stimulus in September '08, followed less than two years later by an eye-popping $955 billion from the Europeans and IMF to prop up indebted Euro nations, makes one believe that governments around the world are not hesitating in treating tax dollars as gambling chips, seemingly without much monetary value. Losing the poker game simply means the chips are lost! Winning simply means buying time to allow debt-plagued countries to recover enough to build some fiscal and monetary credibility. George Washington, whose image by American portrait artist Gilbert Stuart is on the one dollar bill, surely would be turning as green as the color of the bill at these vast and fearsome sums. Lest history be not forgotton, a brief glimpse back at the state of banking in Philadelphia, the bustling port and capital city of America at the turn of the 19th century, will shed light into the vast gulf existing between the banking institutions of then, and now. In particular, the story of Samuel Meeker’s “overborrowing” is of interest.

Complex collateralized debt obligations did not exist, nor did savings banks, or trust and loan companies. Nor commercial banks. The Fed was not established until 1913.
In the 1780s the first American banks were small state banks (at this time there were three: Philadelphia, New York, and Boston), and there was no central banking system. With the adoption of the new constitution, the financial system was substantially reformed beginning 1788, culminating in the establishment of the First Bank of the United States in 1791 endowed with the role of aiding federal finanacial operations and leading the way to development of a US banking system. The bank was capitalized at a then whopping $10 million, the state banks at that time were only capitalized at $1 million or less. Only the First Bank of the United States was nationwide and while servicing the large government debt, the smaller state banks commonly lent capital for local and regional business, trade, and infrastructure—from the three existing state banks in 1790, the number grew to 28 by 1800, all in New England and the Middle Atlantic states.

1803 was a year in which not only Philadelphia experienced an accelerating prosperity, it was also a momentous year in the life of Samuel Meeker (1763-1831), scion of a well-known prominent family from New Jersey. Transplanted to Philadelphia in the early 1790s in search of opportunity, he was one of a group of lesser known but ambitious young men willing to challenge the restrictive lending practices of the small group of old established families which controlled the field of finance at this time in the capital. The general complaint was that money was chiefly locked into the hands of these relatively few conservative individuals, who were mainly beholden to investors in England, who lent too little locally and most often to only a favored few, substantially restricting growth of commerce; and private lenders charged much too exorbitant rates of interest. Meeker was one of these progressive-minded citizens, this group of enthusiastic amateurs inexperienced in the profession of banking, but willing to make their own gamble that the time was ripe to exploit economic potential; by establishing a new line of credit, at reasonable rates of interest, to supplement the three other banks then dominating the commercial activity of the city. These individuals, leaders responding with creative energy to the current business climate in Philadelphia (still the country’s largest and busiest port) gathered together to draw up a plan for a new Bank.

Handsome, energetic and athletic (upstanding member of the Gloucester Fox-Hunting Club!) & understanding that new avenues of capital would help lubricate the wheels of commerce and prosperity in the capital, while also benefitting his own trading business Meeker, Denman & Co., Meeker was one of sixteen directors elected to the board of the new “Philadelphia National Bank” in the summer of 1803. A subscription book was opened for the sale of stock, the total amount of the Bank’s stock was subscribed and was placed at one million dollars. Organization of the bank proceeded rapidly, the board (including Meeker) met daily, the collected money was deposited in a box at the Bank of Pennsylvania. “A proper set of books, stationery, scales, weights, shovels and other materials” were ordered and steps were taken toward the drafting of rules and regulations. A few months later in the fall, Meeker’s own business received the first loan from the Philadelphia National Bank. Not only did Meeker receive the first loan from the new bank in 1803, he and his twin sister Phebe turned 40, both these circumstances surely providing the inspiration for what transpired next. Signalling acheivement at joining the ranks of the top social and financial elite, Meeker commissioned his portrait to be done by the premier portrait artist of the day, Gilbert Stuart, to be given as a gift to his beloved sister. Since the twins’ birthday was in the summer, surely a lavish and extravagent party was thrown to celebrate the event at Meeker’s well-known country estate on the banks of the Schuylkill River, Fountain Green. Here at this two-story stone house with commodious wings built to each side the guests would arrive by horse, dine on steak butchered from cows fed in the stalls on the property, and treated to the finest fruits and vegetables grown in the highly cultivated gardens. What a fabulous excuse to leave the hot and humid city in the summer (and to escape the periodic fevers), to mingle with many of the finest citizens of the city, and view the unveiling of a new Stuart portrait!

Epilogue: it is ironic to note that only by special vote of the board could a loan by the Philadelphia National Bank be made of more than thirty thousand dollars, and that this vote was only accorded to the directors. Meeker apparently found it impossible to limit his own loans from the bank on numerous occasions, leading to his exclusion from the board in 1807. Possibly Meeker’s financial dealings were too much like gambling.
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