THE WORLD OF SAMUEL MEEKER, MERCHANT OF PHILADELPHIA, AND GILBERT STUART, AMERICAN PORTRAIT ARTIST

Showing posts with label Deciphering a portrait's mystery. Show all posts
Showing posts with label Deciphering a portrait's mystery. Show all posts

Sunday, October 2, 2011

WHODUNNIT was it a Stuart? (Continued...) What the experts say.

It is well-known that Stuart did not sign his paintings, he felt that a portrait of his WAS the signature! I received a mail, from someone who wanted to know if I thought that the portrait of his ancestor, David Bradlee, was a Stuart. Substantial similarities, but ...

I wrote “Hi Ted, Thanks for sending me your note! My inclination is to say that it is not a Stuart.... [click for post>Determining a genuine Gilbert Stuart portrait is not always easy!] I then suggested he send the image to the three reigning experts. One is Dr. Ellen G. Miles, Curator Emerita, Department of Painting and Sculpture, Smithsonian National Portrait Gallery. The others are Carrie Barratt Associate Director for Collections and Administration at The Metropolitan Museum of Art, and Dorinda Evans, author of a bio on Stuart. The process is fascinating, I think.

Ted wrote Ellen Miles:
I think I may have a Gilbert Stuart portrait of one of my ancestors. I have attached a photo. David W. Bradlee, Boston, 1765-1833. He was in the shipping business. The letter that he holds reads, “Painted at the Columbian Museum Boston”. It is not signed. David’s father, David, participated in the Boston Tea Party. How can I authenticate the portrait? Ted W

Ted,
I have forwarded your inquiry to a couple of people who may have the answer; it’s definitely not by Stuart, in terms of technique and coloring. The inscription suggests it is either by Ethan Allen Greenwood, or by Edward Savage (it looks more like a Greenwood to me). You may hear directly from someone other than me! Ellen M.

Hi Ellen, Thank you for taking the time to look at the portrait. I really appreciate your input.

No problem. It’s nice to see a painting with an inscription that helps identify it! Plus, you know who the sitter is, which is very helpful! Let me know if you don’t hear anything within a week or two, okay? Thanks!

Does the inscription help since you know that Greenwood and Savage painted at the Columbian Museum in Boston?

About Savage and Greenwood, and the museum, I may have jumped too quickly! The portrait may not date from a date that is late enough for this to help with an attribution. On the museum itself, you can consult the Wikipedia entry on the Columbian Museum, which includes the following:“Daniel Bowen (ca. 1760–1856) established the Columbian Museum in Boston in 1795. Located "at the head of the mall" near the Boston Common, the museum's collection included items from Edward Savage's "New York Museum."…”..after 1807, Bowen suffered financial ruin, and withdrew from museum operations. William M. S. Doyle assumed directorship thenceforth, until 1825, when Ethan Allen Greenwood acquired the collections for his newly established New England Museum.”
Doyle was also a portrait painter.
Let’s wait to see what others say! Thanks. Ellen G. Miles (Dr.)

Carrie Barratt answered:
Dear Mr. Wight,
With apologies for the delay, I regret that I find no record in my books or files of a Stuart portrait of David W. Bradlee. The picture looks post-Stuart to me, perhaps by James Frothingham or another younger Boston artist who painted in his style. You could contact the Museum of Fine Arts, Boston, which has many Boston portraits by Stuart to make a comparison. Sorry not to be of more assistance.
Carrie Rebora Barratt

from Dorinda, the most pragmatic and terse of the three (in my opinion):
Thanks for the images. Unfortunately, this is not by Gilbert Stuart. It looks as though it might have been over-cleaned on the face (down to the grayish ground) and then re-painted. I can't immediately identify this hand, but, from the costume, it was painted in the early 1790s. If you can be sure the inscription is original (clean cracks, or look at it under ultraviolet light in a darkened room for repaint in the last century), perhaps you could find out more about the museum. Good luck. Dorinda Evans


Ted wrote me after all these responses:
I am mad at my ancestor for being cheap and not getting Gilbert Stuart to do his portrait...especially when his first cousins had Stuart do theirs!

Friday, July 22, 2011

Determining a genuine Gilbert Stuart portrait is not always easy!

It is well-known that Stuart did not sign his paintings, he felt that a portrait of his WAS the signature! I received a mail, from someone who wanted to know if I thought that the portrait of his ancestor was a Stuart.

"I think I have a Gilbert Stuart portrait of my ancestor David Bradlee. He lived in Boston and was the son of a Boston Tea Party participant. See the attached portrait and let me know what you think."


I wrote back:

"Hi Ted, Thanks for sending me your note! My inclination is to say that it is not a Stuart. However, what also helps in the determination (since Stuart didn't sign his pics) is more factual information, did any other individual in his social, familial, or business circle have their portrait done by the master that you know of? Stuart moved to Boston in 1805...can you place how old your ancestor is (do you know family lines) and does this jive with dates? I am not an expert. But looks to me like the touches that make a Stuart a Stuart are missing, could have been done in 'that prevailing style'... but in general its safer to say that it is not, than it is! Where is the portrait now? I recommend that you beef up the information on your ancestor, be able to determine the ownership through the generations, point out how your ancestor was able to afford the master. My ancestor started a bank, got the first loan of $30,000. and owned a villa, his cousin was also painted by Stuart! Its those kind of clues that can help clinch the deal, on top of the quality of the piece. Then send the photo to one of the experts on Stuart such as Miles, Barratt, and GOOD LUCK !

Beth


Saturday, July 2, 2011

Deciphering a portrait’s message: Elizabeth Willing Powel



Elizabeth Willing was the sister of Thomas Willing, father of Anne Willing, featured in the last two posts (click here, and here, for the posts or scroll down). Elizabeth, after a few failed romances (rumor linked her John Dickinson the celebrated author of Letters from a Farmer in Pennsylvania) settled on Samuel Powel whose grandfather was known as the “rich carpenter”—this ‘rich carpenter’ had prospered from the combination of his trade as carpenter, his investment in real estate, and a stratgic marriage to a Quakeress.

Elizabeth Willing married Samuel Powel in 1769. She lost two sons soon after birth, remained childless, and was widowed for thirty-six years.

Using intuition, common sense and scholarly research, David Maxey has written a delightful ‘who dunnit’ mystery to unlock the secrets on the origins of a portrait of Elizabeth. What do the symbols mean in the portrait, why is she dressed the way she is (no jewels, simple dress without stay), when and why was the portrait commisssioned and who painted it? What happened to it with the passage of time?

All of this is answered admirably by David Maxey in
“A Portrait of ELIZABETH WILLING POWEL 1743-1830
American Philosophical Society, Philadelphia, 2006




To all of you, my readers, I highly recommend this delightful booklet on Elizabeth Willing Powel, and the deciphering of her Portrait. Hint: the portrait was NOT done by Gilbert Stuart.



 
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