Sunday, September 20, 2009

the true meaning of wealth and power to Gibby was not nobility nor aristocracy

This iconic masterpainter one day disappeared from the grand digs in London, and the suggestion is that the sudden and secret flight of the artist and family was to escape pressing debts. Finally he turned up in Dublin at the apparent invitation of the Duke of Rutland, who inconveniently passed away at the same time as our Gibby and family arrived. Shockingly, Gilbert landed into debtors prison but recovered his animal spirits by setting up his easel behind bars, and the local gentry flocked there to have their portrait painted.
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The artist lived for a time in the city but soon bought a farm at Stillorgan. Here he was able to tend to his garden and farm animals, including his beloved pigs. J.D. Herbert is an important source on Stuart's Irish years (about 1787-1793). Herbert visited Stillorgan and relates the following;

"He then took me to his garden, which was well-cropped, all by his own hands, walked me over the grounds, and pointed out his skill in farming......I cordially confessed that I should rather see his works in his painting-room, that I was ignorant of farming, gardening, or feeding pigs. He pitied me very much, observing what a loss I sustained by not attending to the cultivation of that on which mankind were supported and rendered wealthy and powerful." Herbert found that the artist was more pleased by praise of his "very pretty pigs" than by "anything I could say in praise of his pictures."
next... more on the pigs


4 comments:

  1. I glad to see he had his priorities in order!

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  2. I am not aware of any GS painting of his piglets (things were hectic enough for him to deliver on portrait commisions to earn money) but in the beginning when he was young he did a well-known painting of two pups which I will show at some point.

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  3. Don't know what it is exactly, but pigs do seem to have the propensity for being quite beautiful. I think it has something to do with the tenor of the snort.

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